Phase Distortion and Wavefolding functions open up some serious destructive waveshaping possibilities, and both - along with Phase and Frequency - can be conveniently modulated by an ancillary (and, optionally, audible) analogue/ noise oscillator. Each one of them consists of up to 256 waveforms, and the Position knob can be set to jump from one wave to the next, or to interpolate through them more smoothly. The Wavetable engine draws upon more than 100 categorised wavetables (Natural, Processed, Synthesizers, etc). The Drift control introduces random pitch fluctuations for a touch of analogue authenticity, should you want it. Osc 2 can sync to Osc 1 Oscs 2 and 3 can have keytracking disabled and Oscs 1 and 2 can be frequency modulated by any mix of Osc 3 and Noise.
The Analog engine comprises three oscillators, each outputting a sine, saw, triangle or square wave (the last two featuring PWM), and a noise generator that sweeps from Red through White to Blue noise. Each of Pigments’ two engines can be switched between Analog and Wavetable modes.
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